Distortion, as it sounds, is meant to distort your sound, while saturation colors it.

Starting off, distortion and saturation are similar, but different.Д®asily put: distortion is an angry saturation. It makes it sound angrier, grittier and just more heavy metal. You think about what your distortion pedal does to your electric guitar. The caps letters are kind of what these two effects sound like when you think about them. SATURATION! DISTORTION! Sorry for shouting. See Article: Making Bass Cut Through - 8 Production Tips 2. Ableton's soft clipping in the Glue Compressor works well for this - turn on the 'Soft Clip' function and crank the Makeup Gain. Try using soft clipping instead of limiting - soft clipping also keeps the volume under a ceiling, but adds some extra distorted flavour.Sidechain AFTER limiting вЂ“ you want to sidechain the limited signal and not the other way around.

Adding distortion, EQ and effects on the limited bass signal could work better than using it last in the chain.

Put the limiter last in your effect chain, or first.

Don't overdo it - or you'll risk squashing your bass too much.

Using a lot of limiting on plucked acoustic basses could mess up your transients and make it sound too squashed.

This technique is best for a sub and electronic bass with smoother attacks.

All your sweet bass notes are at an even, maxed out level. Use any limiter (the built-in ones in your DAW works fine) with the ceiling at -1dB and crank it up until you see a maximum of 6dB reduction. When your bass plays in different notes, the volume of the soundВ may change.В This happens mostly because of lowpass filters on bass sounds, which cut off higher frequencies.В This causes higher notes to lose their power and volume. It's kind of a cowboy move, production-wise, but it's very effective. What? A limiter on a bass? You heard me correct. Then proceed with these 5 golden tips: 1. It sounds good, but you feel that something is lackingвЂ¦ I'm just going to assume that after some searching, you found/created a bass preset you think fits your track great. These secrets I'm about to tell you about will make an insane difference in your tracks. However, there are very simple but effective techniques you can apply to make your bass sound amazing. Struggling with the bass is a part of the learning curve for every producer. Something that you know could blast the crowds out of their shoes on concerts. And using a simpleВ sinewaveВ is boring, right? You want something beefier, heavier. The presets in your sound banks sounds great on their own, but just misplaced and too spaced-out in your track. What can you do about it?ДЇor starters, just finding the right bass preset, or creating the right bass can be a hassle. It lacks boominess, power and doesn't seem to fit right with your track.

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